Andrew began by playing the tenor horn at his local brass band in Bristol aged 8, but shortly swapped to the French horn, studying at the Royal Academy of Music with Derek Taylor and Richard Watkins. Like the other members of the quintet, while at music college he was a member of the European Union Youth Orchestra.
On leaving the RAM, Andrew has led a varied career in music. As well as being a member of the English Chamber Orchestra and the Orchestra of the English National Opera, he plays regularly with the Philharmonia, BBC, Royal Philharmonic, Royal Opera House, and London Symphony orchestras. With these groups, he has worked with some of the world’s finest musicians and toured extensively around the globe.
In addition to Onyx, he has performed with other chamber ensembles such as London Winds, the Haffner Ensemble, the Wallace Collection, and the Ensemble Modern of Frankfurt. Andrew also plays an active role in the English Chamber Orchestra education project. Andrew is also a member of the group Campaign for Real Ale.
Anthony Pike was born in Seoul, Korea, and studied the clarinet with Julian Farrell in London, Robert Marcellus in Chicago, and Dame Thea King at the Royal College of Music. He is principal clarinet of the English Chamber Orchestra (ECO) and has performed with them across Europe, Asia, and the Americas. He has also appeared as guest principal with leading British orchestras including the Royal Philharmonic, London Philharmonic, London Symphony, and City of Birmingham Symphony Orchestra.
His chamber collaborators include Christian Zacharias, Ralph Gothóni, Joachim Trio, Zoffany Ensemble, ECO Ensemble, London Soloists Ensemble, and Chamber Music Box. Festival invitations include Edinburgh, Johannesburg, Nordland, Hong Kong, and Bermuda.
Despite reading PPE at Magdalen College, Oxford, Anthony pursued clarinet performance, making his Wigmore Hall debut in 1994. His discography spans Mozart, Max Reger, Copland, Vaughan Williams, and Brahms. He is Professor of Clarinet at Trinity Laban Conservatoire and plays on Selmer Recital Clarinets.
Bozidar Vukotic is a prize-winning cellist who has performed extensively in the UK, Europe, USA and the Far East. He studied with Stefan Popov at the Guildhall School of Music and Drama where he was awarded the Premier Prix. He subsequently studied with William Pleeth and Alexander Kniazev in Moscow.
Bozidar has recorded Howard Goodall’s “The Seasons” for EMI Classics and has appeared as a soloist and chamber musician with artists such as Lawrence Power, the Schubert Ensemble and the English Chamber Orchestra. He is the founding cellist of the Tippett Quartet with whom he performs regularly at Kings Place and Wigmore Hall and whose recordings have received widespread critical acclaim including Gramophone’s Editor’s Choice.
Bozidar is Principal Cello of the Oxford Philharmonic Orchestra and has appeared as guest Principal with the RPO, LPO, BBC Scottish Symphony, English Chamber and London Mozart Players. In 2012 he was made an Honorary Associate of the Royal Academy of Music.
Andrew began by playing the tenor horn at his local brass band in Bristol aged 8, but shortly swapped to the French horn, studying at the Royal Academy of Music with Derek Taylor and Richard Watkins. Like the other members of the quintet, while at music college he was a member of the European Union Youth Orchestra.
On leaving the RAM, Andrew has led a varied career in music. As well as being a member of the English Chamber Orchestra and the Orchestra of the English National Opera, he plays regularly with the Philharmonia, BBC, Royal Philharmonic, Royal Opera House, and London Symphony orchestras. With these groups, he has worked with some of the world’s finest musicians and toured extensively around the globe.
In addition to Onyx, he has performed with other chamber ensembles such as London Winds, the Haffner Ensemble, the Wallace Collection, and the Ensemble Modern of Frankfurt. Andrew also plays an active role in the English Chamber Orchestra education project. Andrew is also a member of the group Campaign for Real Ale.
Andrew began by playing the tenor horn at his local brass band in Bristol aged 8, but shortly swapped to the French horn, studying at the Royal Academy of Music with Derek Taylor and Richard Watkins. Like the other members of the quintet, while at music college he was a member of the European Union Youth Orchestra.
On leaving the RAM, Andrew has led a varied career in music. As well as being a member of the English Chamber Orchestra and the Orchestra of the English National Opera, he plays regularly with the Philharmonia, BBC, Royal Philharmonic, Royal Opera House, and London Symphony orchestras. With these groups, he has worked with some of the world’s finest musicians and toured extensively around the globe.
In addition to Onyx, he has performed with other chamber ensembles such as London Winds, the Haffner Ensemble, the Wallace Collection, and the Ensemble Modern of Frankfurt. Andrew also plays an active role in the English Chamber Orchestra education project. Andrew is also a member of the group Campaign for Real Ale.
Claire began playing the bassoon at the age of 9. She attended Chetham’s School of Music at the age of 16 where she studied bassoon with Graham Salvage and contrabassoon with Peter Wesley. She continued her studies at the Royal Academy of Music with John Orford, Rachel Gough and David Chatterton.
Since leaving college, Claire has worked as a freelance bassoonist and contrabassoonist with many orchestras. She has enjoyed playing in prestigious venues such as the Royal Opera House, Glyndebourne and Carnegie Hall as well as at the Proms and in many concert halls throughout the UK and abroad. She continues to play as a freelance musician with orchestras around the country including the Philharmonia, BBC Symphony Orchestra, Orchestra of the Royal Opera House, the London Philharmonic Orchestra and the London Symphony Orchestra.
Claire also enjoys touring extensively and working with the English Chamber Orchestra alongside her regular freelance work.
Daisy begun her education at Chetham’s School of Music which lead her to win a scholarship to study joint principal violin and viola at the Royal College of Music. She went on to graduate with a masters degree at the Royal Academy of Music where she enjoyed her position as principal viola with the Royal Academy Soloists.
She has been awarded numerous prizes in solo and orchestral playing including the M and B Dale, Leverhulme Orchestral Prize, Hilda Wynne Memorial and Musicians Benevolent Awards and is an honorary fellow of the Royal Academy of Music.
As well as European solo recitals show casing English viola works, Daisy also holds the position of principal viola in Glyndebourne Tour Opera and is a member of the English Chamber Orchestra. She has worked regularly as guest principal with the BBC Philharmonic, BBC Concert, Britten Sinfonia, National Symphony Orchestra of Dublin, Ulster Orchestra and Bournemouth Symphony Orchestra.
As a freelance violinist and member of the English Chamber Orchestra and the Royal Northern Sinfonia, Dániel is fortunate enough to perform all around the UK as well as the world. He started playing the violin in Hungary before moving to Scotland to study at the Royal Conservatoire of Scotland, supported by the Help Musicians UK Parikian Award.
During his time in Scotland he had the opportunity to attend masterclasses with Leland Chen, Alina Ibragimova, Ilya Gringolts, Rachel Podger, and to perform the Sibelius Violin Concerto with the Royal Scottish National Orchestra.
Other orchestras he plays with include the London Symphony Orchestra, Scottish Chamber Orchestra, City of Birmingham Symphony Orchestra, Hallé, BBC NOW and BBC Symphony Orchestra.
Whilst Dániel loves orchestral repertoire, chamber music is also very close to his heart. He is the leader and co-artistic director of the award-winning Broen Ensemble and a member of the Sinopia Quartet which let him travel around Scotland extensively.
Some of his hobbies include photography and programming, and he plays on a violin made by Joseph Hill in 1756.
David’s wide-ranging work as a percussionist has included work from David Munrow and Philip Jones to Sir Georg Solti and Pierre Boulez, and during his early years as timpanist of the English Chamber Orchestra he worked extensively with Benjamin Britten.
As a conductor David has directed performances of Le Sacre du Printemps at the Guildhall School of Music as well as a continuing project of Bach Cantatas at St. John’s Waterloo, and has enjoyed engagements with the English Chamber Orchestra, ensembles from the Philharmonia Orchestra, the Chamber Orchestra of South Africa, and many other distinguished ensembles.
His work continues as a composer, with amongst recent works St. Francis for ensemble and narrator, three canticles for 5-part choir and organ, and the miniature Very Little Peace for percussion and cor anglais for a performance at the Guildhall.
David is Staff Conductor and teacher of Timpani and Conducting at the Guildhall, and Assistant Conductor of Southbank Sinfonia, and has a Grammy® for his Chamber Music work
Dietrich Bethge, cellist, was born in Berlin but has lived in England since he was 9 years old.
He read law at Oxford University and then studied the cello at the Royal College of Music. After
some time as co-principal cellist in the City of Birmingham Symphony Orchestra he was appointed co-principal cellist in the ECO in 1977.
Looking back over much remarkable music-making , the cycles of the complete Mozart piano concertos – first with Murray Perahia and then with Mitsuko Ushida – are a very special memory for him.
Side by side with his ECO work, some years ago, he formed London Octave, a small ensemble made up mostly of friends from the ECO. They specialise in performing works from the romantic, classical and baroque repertoire, and have given many concerts at St Martin-in-the-Fields in London and also St James’s Church Piccadilly.
Harry Winstanley a leading freelance flute player, invited to play guest principal flute with major orchestras at home and abroad, including the Royal Philharmonic Orchestra, Philharmonia, Academy of St Martin in the Fields, London Philharmonic Orchestra, City of Birmingham Symphony Orchestra, London Symphony Orchestra, Sydney Symphony Orchestra, Iceland Symphony Orchestra, English National Opera and the BBC Symphony Orchestra.
He is often seen and heard on radio and television broadcasts and film soundtracks, and has recorded and performed with a wide range of artists, from Joshua Bell and José Carreras to the Pet Shop Boys, Rufus Wainwright and Rod Stewart.
Born and raised in Kent, Harry studied the flute with Celia Chambers, and was a woodwind finalist in the BBC Young Musician of the Year. He went on to graduate from the University of Cambridge with a first class degree in Music, and then took up post-graduate study at the Royal Academy of Music in London with Michael Cox, William Bennett, Karen Jones and Patricia Morris, supported by the generous help of the Countess of Munster Musical Trust and the Leverhulme Trust.
Harry is an associate of the Royal Academy of Music, London.
Born in London, Helen Tunstall studied at the Royal College of Music with Marisa Robles and Fiona Hibbert. She is principal harpist of the English Chamber Orchestra and the London Sinfonietta and leads a busy freelance career playing solo, chamber and orchestral music with all the major London orchestras and ensembles.
Performances this year include the Barbican, and London Jazz festival and appearances with the Academy of St Martin’s in the Fields, London Symphony Orchestra, English Chamber Orchestra , Orchestra of St. John’s Smith Square, BBC Symphony Orchestra and the London Sinfonietta.
She is a top London studio player recording classical, contemporary, film, T.V. and commercial music. Recordings include Birtwistle ‘Orpheus Elegies’, Silvina Milstein trios – ‘A thousand golden bells in the breeze’ and ‘While your sound lingered on in lions and rocks’, Richard Baker – ‘Risveglio’ for solo harp.
She has worked on films such as ‘Charlie and the Chocolate Factory’, ‘Lord of the Rings’, ‘Batman’, ‘Spectre’ and worked closely with director Mike Leigh on his films ‘Mr Turner’ ‘Peterloo’ as well as music for Guy Barker and Mark Lockheart, and pop artists; Robbie Williams, Annie Lennox, Joni Mitchell, Bjork, Kelly Clarkson, Laufey, Amy Winehouse, Katie Melua, and Tom Odell. ,Recent films include, Maestro, Barbie, How to Train your Dragon (2025).
She is a professor at the Guildhall School of Music and Drama. Helen is dedicated to the promotion of contemporary music in her performing and teaching and works closely with new composers to enable them to write well for the harp.
Jill studied the clarinet with Antony Pay and Julian Farrell at the Guildhall School of music and Drama, receiving the Lady Mayoress’ prize for her final recital.
Since then, alongside her work as a member of the ECO, she has pursued a busy and varied freelance career, working with many leading orchestras, including the Philharmonia, London Symphony orchestra, London Sinfonietta, London Mozart Players, Scottish chamber orchestra, City of Birmingham Symphony Orchestra and the BBC National Orchestra of Wales.
In addition to her performing career, Jill has been a dedicated teacher for many years, working in schools as well as teaching privately.
Harry Winstanley a leading freelance flute player, invited to play guest principal flute with major orchestras at home and abroad, including the Royal Philharmonic Orchestra, Philharmonia, Academy of St Martin in the Fields, London Philharmonic Orchestra, City of Birmingham Symphony Orchestra, London Symphony Orchestra, Sydney Symphony Orchestra, Iceland Symphony Orchestra, English National Opera and the BBC Symphony Orchestra.
He is often seen and heard on radio and television broadcasts and film soundtracks, and has recorded and performed with a wide range of artists, from Joshua Bell and José Carreras to the Pet Shop Boys, Rufus Wainwright and Rod Stewart.
Born and raised in Kent, Harry studied the flute with Celia Chambers, and was a woodwind finalist in the BBC Young Musician of the Year. He went on to graduate from the University of Cambridge with a first class degree in Music, and then took up post-graduate study at the Royal Academy of Music in London with Michael Cox, William Bennett, Karen Jones and Patricia Morris, supported by the generous help of the Countess of Munster Musical Trust and the Leverhulme Trust.
Harry is an associate of the Royal Academy of Music, London.
John Thurgood studied at the Royal College of Music with Julian Baker.
On leaving the RCM he joined the Ulster Orchestra as third horn for 18 months. He then became the Principal Horn of the English National Opera orchestra, a position he still holds.
In 1995 John was invited to join the English Chamber Orchestra as Principal Horn and continues to perform with them throughout the world. He has appeared as a soloist with the Orchestra on many occasions in this country and abroad. John is a prominent chamber musician, playing as a member of the E.C.O Ensemble and numerous guest appearances with other leading chamber groups.
John regularly works in the commercial field on numerous diverse projects such as Gladiator, John Barry and Taylor Swift. Recent recordings have included; Amazon’s Lord of the Rings, Disney’s Little Mermaid, and Spider Man for Sony’s PlayStation.
Julie Price has held positions as Principal Bassoon with the BBC Scottish Symphony Orchestra, Orchestra of the Royal Opera House and Royal Philharmonic Orchestra. She has been Principal Bassoon of the English Chamber Orchestra since 1994 and Co-Principal, now Principal Bassoon, of the BBC Symphony Orchestra since 2001 and also the Academy of St Martin in the Fields.
She has appeared as a soloist at the Barbican, Cadogan Hall, and Royal Festival Hall as well as many venues outside London and abroad. As a chamber musician she has appeared with such groups as the Nash, Gaudier, and Razumovsky ensembles, London Winds, ensemble 360 and the Lindsay and Chilingirian string quartets.
Julie Price is a visiting professor at the Royal Academy of Music.
Her discography includes recordings of Mozart’s Bassoon Concerto and Sinfonia concertante and Elgar’s Romance, all with the English Chamber Orchestra and Strauss Duett Concertino with Michael Collins and the BBCSO.
Born in Tasmania, Katerina began playing violin and piano at an early age, first taught by her mother, then Barbara Jane Gilby. She made her solo debut at 11 with the Tasmanian Symphony Orchestra, broadcast nationally on ABC TV.
In 2012, she won the ABC Symphony Australia Young Performers Awards, performing Shostakovich’s Violin Concerto No.1 with the West Australian Symphony Orchestra and Vladimir Verbitsky. She has since debuted with the Sydney and Melbourne Symphony Orchestras.
An active chamber musician, she has collaborated with Julian Rachlin, Roman Simovic, Ben Goldscheider, Andrew Marriner, and others, performing across Europe, Asia, and the US—including the Royal Albert Hall, Royal Festival Hall, and the Kennedy Center.
She leads the London Concert Orchestra and has guest-led several UK and Australian orchestras. A prizewinner in numerous international competitions, she studied at the Royal College of Music, appearing in its Rising Stars series and receiving masterclasses from renowned violinists.
Lucy finished her musical studies as a Dean’s Scholar at Oberlin Conservatory of Music, USA.
After winning the London Philharmonic Orchestra’s ‘Young Soloist of the Year’ competition and playing the Tchaikovsky Concerto in the Royal Festival Hall, she was a Countess of Munster Trust Artist for two years playing recitals and concertos throughout the UK.
Highlights of her solo career include recording a studio recital for BBC Radio 3 and the Brahms Double Concerto on Bulgarian National Radio.
She has played piano quartets with Alfred Brendel in a worldwide tour, including Carnegie Hall, and guest led the Brodsky string quartet with concerts in Holland, Italy and across the UK.
Since 2014, she has led the eclectic Ensemble Reza. For several years she was a member of the Royal Northern Sinfonia and is currently Principal 2nd violin in the Orchestre Révolutionaire et Romantique.
New Zealand born Lydia Lowndes-Northcott began playing at the age of 7, her family emigrated to England where she was home educated with her siblings at a farm in Somerset before winning a scholarship to Wells Cathedral School, and later an unconditional scholarship to the Royal Academy of Music.
During her time at the RAM she won many prizes, including a special award for the highest mark in her year for her outstanding final recital. In 2016 she was also awarded an ARAM for her contribution to the music industry.
Lydia enjoys a busy and varied career dividing her time between orchestras, chamber music, solo recitals and studio work. She is regularly invited as guest principal for the London Mozart Players, the Aurora Orchestra, the Bournemouth Symphony Orchestra, and is a member of John Wilson’s Sinfonia of London as well as co principal in the English Chamber Orchestra.
Her studio work has given exciting opportunities to work closely with Hollywood’s film composers and directors, Lydia appears on the scores of many of the latest blockbuster movies as well as tv, pop and radio.
Lydia has worked in major concert venues across the world with artists such as Joshua Bell, Pinkas Zukerman, Maxim Vengerov, Martha Argerich and most recently has enjoyed chamber music with Guy Johnston who has links to Dorset where Lydia lives with her children and horses.
She has been a member of the critically acclaimed Tippett Quartet since the summer of 2012.
Lydia plays on a 1682 Grancino viola.
Dutch violinist and violist Michael Gurevich enjoys a varied performing career.
He is a member of the London Haydn Quartet and appears on their critically acclaimed recordings of the complete quartets by Haydn. With them and as a guest with other chamber groups such as the Nash Ensemble, he has performed worldwide, including performances at Carnegie Hall, Wigmore Hall, Royal Concertgebouw and the Edinburgh, Verbier and Aldeburgh Festivals.
He has led numerous productions with early music ensemble Arcangelo, recording albums on Hyperion and Alpha. As guest concertmaster he has performed with ensembles including the Orchestra of the Age of Enlightenment, Scottish Chamber Orchestra, Budapest Festival Orchestra, Dunedin Consort and Concerto Copenhagen, on occasion also appearing as director and soloist.
Michael taught at Chetham’s School of Music for nearly a decade following teaching fellowships at the Royal Northern College of Music and Guildhall School of Music and Drama. He continues to teach in chamber music and violin masterclasses worldwide.
New Zealand born Lydia Lowndes-Northcott began playing at the age of 7, her family emigrated to England where she was home educated with her siblings at a farm in Somerset before winning a scholarship to Wells Cathedral School, and later an unconditional scholarship to the Royal Academy of Music.
During her time at the RAM she won many prizes, including a special award for the highest mark in her year for her outstanding final recital. In 2016 she was also awarded an ARAM for her contribution to the music industry.
Lydia enjoys a busy and varied career dividing her time between orchestras, chamber music, solo recitals and studio work. She is regularly invited as guest principal for the London Mozart Players, the Aurora Orchestra, the Bournemouth Symphony Orchestra, and is a member of John Wilson’s Sinfonia of London as well as co principal in the English Chamber Orchestra.
Her studio work has given exciting opportunities to work closely with Hollywood’s film composers and directors, Lydia appears on the scores of many of the latest blockbuster movies as well as tv, pop and radio.
Lydia has worked in major concert venues across the world with artists such as Joshua Bell, Pinkas Zukerman, Maxim Vengerov, Martha Argerich and most recently has enjoyed chamber music with Guy Johnston who has links to Dorset where Lydia lives with her children and horses.
She has been a member of the critically acclaimed Tippett Quartet since the summer of 2012.
Lydia plays on a 1682 Grancino viola.
Neil is the Principal Trumpet of the English Chamber Orchestra, having played with the ECO in different guises for his whole career, beginning with a gala concert at the Royal Albert Hall in 1996 with Kiri Te Kanawa, when he was still an undergrad at the Royal College of Music.
Learning from experience playing in the ECO next to Andrew Crowley, Edward Hobart and Michael Laird, Neil began to play with all the London orchestras, and his interest in historic performance soon saw him playing for the likes of Trevor Pinnock, András Schiff and John Eliot Gardiner.
Alongside being a member of the ECO, Neil is also principal trumpet of the Chamber Orchestra of Europe, The English Baroque Soloists, Orchestre Révolutionnaire et Romantique, Gabrieli Consort, Capella Andrea Barca, and has performed as guest Principal Trumpet with the London Symphony Orchestra, Philharmonia Orchestra, the Orchestra of the Royal Opera House and the Orchestra of the Age of Enlightenment.
His London studio work can be heard on the soundtracks of many blockbuster movies.
Born in Israel in 1967, Ofer Falk studied with the legendary pedagogue Ilona Feher at the Tel-Aviv Music Academy (now Buchmann-Mehta School of Music) and later with Professor Dora Schwarzberg at the Hochschule in Vienna.
Ofer has won numerous prizes in international competitions, including the Henryk Szeryng Special Prize (1993) and top prizes in the Tchaikovsky 10th International Competition in Moscow (1994) and the Montreal International Violin Competition (1995).
Ofer made his debut performance as a soloist with the English Chamber Orchestra in February 2003 and was immediately re-invited for subsequent performances. Other UK venues at which Ofer has performed concerti include the Barbican, the Queen Elizabeth Hall, Saint Martin-in-the-Fields, and the Purcell Room.
Ofer is a member of the English Chamber Orchestra and frequently leads the orchestra. This season, Ofer directed and played as soloist with the English Chamber Orchestra in the Mendelssohn Violin Concerto as well as Chausson’s Poèmeand Concerto for Violin, Piano and String Quartet.
In April 2017, Ofer gave the first UK performance of the Lange-Müller Concerto with the Orchestra dell’Arte and repeated it in February 2025.
Internationally, his performances have been broadcast on both radio and television, including BBC Radio 3, German Radio Berlin, Israeli Radio and Television, Russian State Radio and Television, and Canadian Radio (CBC).
Ofer is an accomplished chamber musician. He was a founding member and leader of the Schidlof Quartet (1994–2001), the Falk Quartet (2001–2003), and from 2007 to 2015, the leader of the Allegri String Quartet. He has recorded three CDs with the Schidlof Quartet (Linn Records), one with the Falk Quartet, and three with the Allegri Quartet.
Ofer is Professor of Violin at Trinity Laban Conservatoire and at the Guildhall School of Music and Drama.
Ofer plays on a commissioned 2023 violin by Jérémie Legrand.
Paul Sherman is a graduate of the Guildhall School of Music and Drama where he studied the double bass with Thomas Martin and Kevin Rundell.
He has been a member and principal player with the English Chamber Orchestra for over thirty years and has recorded, toured and performed with them in over 40 countries and was until recently responsible for co-ordinating the ECO’s education and outreach activities.
Paul enjoys an active career performing, often as a guest principal player, with a wide range of the UK’s leading period, modern and contemporary orchestras and ensembles. Chamber music is a particular passion and he spends much time researching neglected repertoire and unearthing and reviving forgotten musical gems.
Born in Essex, Philip went on to study with Michael Winfield at the RCM where he was awarded an Exhibitioner scholarship and later, the Joy Boughton Memorial Award for oboe.
Upon completing his studies, Philip joined the English Sinfonia as Principal oboe , with whom he performed many concertos including those by Strauss, Mozart and Boughton, as well as recording the Holst Fugal concerto.
Philip joined the English Chamber Orchestra in 1999 as Co principal oboe , and has since played guest Principal with most of the UK orchestras , including the Philharmonia, LPO, RPO, CBSO , BBC orchestras and the Royal Opera House.
Studio work also makes up a big part of Philip’s career, with frequent film and TV drama – Wolf Hall and Father Brown.
Teaching is a passion for Philip and he has taught at Kings Canterbury for a number of years as well as being a professor at junior RAM.
In 2018 Philip was made an Honourary Associate of the Royal Academy of Music.
Richard Milone regularly performs in a variety of venues throughout the world ranging from solo concertos, recitals and chamber music to countless opera, chamber and symphony orchestra concerts.
Richard studied at both Yehudi Menuhin and Chethams schools of music followed by graduate studies at the Royal Northern College of Music in Manchester. During this period he started his professional career, freelancing with the Manchester Camerata and the Goldberg Ensemble. At the age of twenty-two, he was appointed as principal second violin in Opera North, Leeds. A year later he was appointed to the same position in the Royal Opera House, Covent Garden, London. From his position in that orchestra Richard got to work with such artists as Georg Solti, Bernard Haitink, Placido Domingo, Luciano Pavarotti and Darcey Bussell.
Richard is now the leader of Glyndebourne Sinfonia, and plays with the English Chamber Orchestra, the Orchestra of Saint John, and freelances in London, dividing his time between as many different orchestras, chamber music ensembles and solo engagements as time allows.
He plays on a violin made by Jean-Baptiste Vuillaume.
Simon Munday is a specialist in trumpets from the 16th century to the modern era. He began his musical journey with the Salvation Army and studied at the Royal College of Music with David Mason, Andrew Crowley, Malcolm Smith, and Mark Bennett.
He performs regularly with the Royal Opera House, LSO, LPO, Halle, BBC Philharmonic, and Rotterdam Philharmonic. A renowned period trumpet player, he appears with ensembles including the English Baroque Soloists, English Concert, Dunedin Consort, and Les Talens Lyriques.
As a soloist, he has appeared with the Orchestra of the Age of Enlightenment, Academy of Ancient Music, Gabrieli Consort, and La Serenissima, giving over 150 performances of Telemann’s Concerto in D.
Simon is a member of Alberti Brass, active in film, TV, and West End productions, and has toured and recorded with Peter Gabriel. He is Professor of Trumpet at Royal Holloway, University of London.
Steve was born and grew up in South Wales. Steve attended a vast Comprehensive School where everyone was given the opportunity of learning to play a musical instrument. Bass lessons commenced when he was 14, he played in the first ever European Community Youth Orchestra and studied at the Guildhall School with Tom Martin.
Steve played with the RPO for 3 years and in 1987 was appointed Principal Bass with the ECO with whom he has appeared and recorded as soloist. He holds the same position with Britten Sinfonia.
For many years Steve has played with the Gaudier Ensemble whose Schubert Octet recording was first choice on the BBC building a library programme. As a guest principal he has recently appeared with the BBC Symphony and LPO, and has recorded with the Tippett Quartet.
Steve is a regular session player, recording TV and film sound tracks and has recently recorded with Robbie Williams, Tory Amos, Adele and Bocelli. He plays on an Italian Bass made in the 16th Century.
Thomas Hancox is co-principal flute of the English Chamber Orchestra and Britten Sinfonia, and works regularly as guest principal flute for other orchestras, including the Royal Philharmonic Orchestra, London Philharmonic Orchestra, Philharmonia Orchestra, Academy of St Martin in the Fields, and English National Opera, amongst others.
Solo and chamber work has led to collaborations with artists and ensembles including the Allegri, Castalian, Piatti, and Sacconi string quartets, Haffner Ensemble, Trevor Pinnock, Mahan Esfahani, Stephen Hough, and Jeremy Denk.
He also has the privilege of recording scores for film and television, with recent titles including James Bond, Doctor Who, Spiderman, The Crown, and The Lord of the Rings: The Rings of Power.
In his spare time, he is an avid cook, a moderately keen gardener, and enjoys anything written by D. H. Lawrence, Evelyn Waugh, or Graham Greene.
In 2019 he was made an Associate of the Royal Academy of Music.
Tim spends much of his time playing solo and Chamber recitals throughout the UK and Europe and has played recitals many times in major London venues including Wigmore Hall, St John’s Smith Square, QEH, Cadogan Hall and Purcell Room. He has played most of the major cello concertos in recent seasons.
Tim is the cellist of the Rossetti Ensemble and he enjoys many other chamber music collaborations in festival across the UK and Europe. He has recorded chamber music CDs for various labels, including recently for Deutsche Grammophon, Naxos, and Champs Hill and Chandos.
As an orchestral player Tim is a Guest Principal Cellist with many major UK orchestras including the English Chamber Orchestra, BBC Symphony Orchestra, Royal Liverpool Philharmonic Orchestra, BBC Scottish Symphony orchestra, Sinfonia of London.
Tim also has played on many film and TV scores including; James Bond, Mission Impossible, Downton Abbey and many more.
Following his recent Wigmore Hall recital Tim’s playing was described as “… compelling in every respect: probing, virtuosic and yielding by turns – a true example of outstanding musicianship.” (Musical Opinion)
Tim is a Cello Professor at the Guildhall School of Music and Drama where he has a large class and also coaches chamber music. He teaches and coaches regularly on courses and festivals throughout the UK and Europe. He is the Artistic Director of York Chamber Music Festival. He plays a cello made by Carolus Tononi in Bologna in 1716.